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Alex Joffe on Why (Some) Academics Don’t Like the Museum of the Bible

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Over at Mosaic, Alex Joffe writes this about some of the criticism of the Museum of the Bible:
For academics, [at] issue [is their] loss of public authority over the Bible. The intellectual monopolization of the Bible by academics in the post-World War II era coincided with the gradual collapse of biblical literacy in America, along with many mainline [Protestant] denominations. With this went an important part of the language of American identity, conversation, and consensus. The Bible in the public square was taken over by professors.

Inevitable or not, this was not healthy in social or political terms. Invocations of the Bible, religion, or God in politics today—[whether] earnest, banal, or grotesque—are condemned instantly. And yet this [habitual condemnation] cuts Americans off from not only a vernacular but from history; [for instance], the national, personal, and spiritual agony that Abraham Lincoln expressed in his second inaugural address is explicable only by reference to the Bible. . . .

Academics have hardly been faithful stewards of the Bible any more than of other forms of canonical knowledge; efforts to reclaim the Bible on the part of faith were also inevitable. If these also lead to more earnest engagement with the Bible as literature, tradition, and [a source of] morality on the part of academics and intellectuals, all the better. Unfortunately, I see the opposite occurring; [such] reclamation will be met with further academic criticism, which will only increase the distance between academia and society, heightening mutual suspicion and alienation, and setting up at least one side for a nasty surprise. . . .

The families and church groups visiting the Museum of the Bible are unlikely to be troubled by [issues of provenance] or converted to one denomination or another, but they might have elements of their faith, in the Bible and in America, reaffirmed. They are also likely to come away interested in Biblical history and archaeology. Many will go on to the Air and Space Museum for other sorts of reaffirmations, in technology and the human imagination, or to the National Gallery, filled with silent tributes to religious faith and to beauty itself. None of these is an unalloyed good, but that is the nature of museums. The good that one comes away with depends in part on what one goes in with.
On Twitter, Candida Moss says the reality is otherwise:
I’m not entirely sure there is an either-or here. Couldn’t the motive be both?

The element Joffe doesn’t mention here is personal animus toward the Greens, their Christian faith, or their win at the U.S. Supreme Court. Donna Yates, for example, wrote back in July 2017 that, “I had fantasies during the Hobby Lobby birth control case of taking them [the Greens] down with antiquities and told everyone I knew ‘you know they are terrible antiquities collectors too…’ but that wasn’t the story at the time.” Or, here is Joel Baden saying he thinks historic Christian faith is morally bankrupt.
Baden has also said that he tells his students that “all good academic writing comes from a place of anger.”

It’s hard to believe that the MOTB gets a fair hearing from critics who feel this way. That doesn’t mean that all the criticisms themselves are unwarranted, of course. Bad motives can lead to good questions and the museum has had clear problems with provenance. But it’s not silly to wonder if some of the critics are motivated by more than issues of proper provenance.

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